It might be one of the most respected movies in all of cinema, but that’s not to say that Tarantino’s classic thriller wasn’t peppered with masses of continuity mistakes of it’s own. Lots of things had a habit of moving around or disappearing between shots- for example, the red dot on Mia’s chest meant to mark where the adrenalin shot was to go in, and bullet holes in the wall tend to jump around when they’re not in scene too. And, if you look closely at the large windows in Marcellus Wallace’s house when John Travolta enters, you’ll be able to spot the reflection of the camera man and boom mike operator, covered by a large tarp.
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